Showing posts with label Evangelicals. Show all posts
Showing posts with label Evangelicals. Show all posts

Episode Ten - Philip Bjorklund & Kyle Davis


Episode Ten welcomes DJ Philip Bjorklund & musician Kyle Davis (Evangelicals). Be sure to check out Philip's new mixtape "Sunday at Chili's" and see Evangelicals on their upcoming tour.

Evangelicals Tour Dates:
10/31/09 Norman, OK - Opolis w/ JP Inc., Gentle Ghost
11/02/09 Phoenix, AZ - Modified Arts w/ Holiday Shores
11/03/09 Los Angeles, CA - Echo w/ Port O Brien
11/04/09 San Francisco, CA - Hemlock Tavern w/ Holiday Shores, Fake Your Own Death
11/05/09 Portland, OR - Holocene w/ Holiday Shores
11/06/09 Seattle, WA - The Vera Project w/ Holiday Shores
11/07/09 Missoula, MT - The Palace w/ Holiday Shores
11/08/09 Salt Lake City, UT - Kilby Court w/ Holiday Shores
11/09/09 Denver, CO - Hi Dive w/ Holiday Shores
11/11/09 Kansas City, MO - The Record Bar w/ Holiday Shores, Eli August
11/12/09 St. Louis, MO - Firebird w/ Holiday Shores
11/16/09 Washington, DC - The Red and the Black w/ Holiday Shores
11/17/09 Philadelphia, PA - Kung Fu Necktie w/ Holiday Shores
11/18/09 Brooklyn, NY - Union Hall w/ Holiday Shores
11/19/09 Allston, MA - Great Scott w/ Holiday Shores
11/20/09 Buffalo, NY - Mohawk Place w/ Holiday Shores
11/21/09 Cleveland, OH - Beachland Tavern w/ Holiday Shores
11/22/09 Chicago, IL - Schubas w/ Holiday Shores
11/23/09 Bloomington, IN - The Bishop w/ Holiday Shores

Evangelicals "The Evening Descends" Review

Originally on Sophiezine.com on February 12th, 2007.


Evangelicals’ frontman Josh Jones is not a normal person. His strangeness is apparent from the moment you first see him, talk to him, and especially when you hear his music. If you were to see him on the street, you might assume he is homeless. Bassist Kyle Davis is by no means normal either. His lanky frame and hipster-to-the-extreme fashion sense certainly makes him stand out in a crowd, and he seems to have been put on this earth to do nothing but to be a rock star. But perhaps the strangest part of Evangelicals is drummer Austin Stephen’s apparent normalcy. He just seems like a regular dude and doesn’t really fit in with the band in the slightest, yet at the same time, he fits in perfectly.

The Norman natives released their debut album, So Gone, back in 2006 on Misra Records. But last year, when Misra manager Phil Waldorf was hired by Jagjaguwar to head up their new imprint, Dead Oceans, he brought Evangelicals with him; thus thrusting the band into the indie-rock big leagues.

The Evening Descends, the band’s first release on Dead Oceans, improves upon So Gone in almost every way imaginable. The songwriting is significantly better and more varied; the production is cleaner and crisper; and the overall sound of the band has simply been refined.

The album begins with the schizophrenic title track that jumps from orchestral pop to stripped down pyschedelia to a funky dance number in a scant three minutes. As the album progresses, sounds zoom in and out, up and down, and everywhere in between. At first, everything seems too dense and nonsensical, but with time the melody reveals itself and the album’s catchiness shines through. By the end of the 43 minute run time, it’s difficult not to sing along with Jones’ every word.

Samples are used throughout the record and provide even more depth to an already deep musical landscape. Most of the samples blend in perfectly, but the “splat” sound in “How Do You Sleep” is one of the most unexpected and unexplainable things I’ve ever heard on an album, not that’s it’s necessarily a bad thing.

The band pulls from a wide variety of influences and wears them on its sleeve, yet manages to create a sound uniquely their own. The synthesizers of “Party Crashin” bring to mind 80’s new wave, while “Here in the Deadlights” is reminiscent of post-Waters Pink Floyd. Comparisons to British shoegazing band Slowdive can also easily be made.

On “Bellawood,” Jones repeats the phrase “Strange things keep happening.” If he’s talking about listening to The Evening Descends and the band in general, truer words have never been spoken.

Originally in The Oklahoma Daily on August 22nd, 2007.


Despite only having been around for a couple of years, the Evangelicals are arguably one of Norman’s most successful bands.

Not only have they found success locally, but have toured all over the nation in support of their debut record, “So Gone.” They have shared the stage with such bands as Serena Maneesh, Annuals, Get Him Eat Him and, most notably, The Flaming Lips. They have also achieved critical acclaim from the incredibly-hard-to-please folks at Pitchfork Media.

“Evangelicals don’t have beards, but sound like they should.” Stuart Berman said in his review of “So Gone” for Pitchfork Media. “On their scruffy surface, they’re a trio of cosmic cowboys following a path laid down by Grandaddy and currently trod-upon by Band of Horses — artists making music that evokes open skies and horizons stretching for moonlit miles. What sets Evangelicals apart is a refreshing lack of preciousness. Singer and guitarist Josh Jones may possess a fidgety, helium-high quiver endemic to sensitive guys in indie rock bands, but the tone of his voice has more to do with agility than fragility.”

The band has just finished its sophomore record “The Evening Descends.” In the past, the writing had all been done by Josh Jones, but this record was more of a collaboration.

“Josh is still the principle songwriter, but this is truly an Evangelicals record,” said bassist Kyle Davis, “We all had our way.”

The new album will be released on the recently formed Dead Oceans Records, which is a division of Secretly Canadian. The band didn’t ever formally go into the studio for this record, but instead recorded it at numerous places around Norman and Oklahoma City.

“It was basically recorded in the different places I was living, in different apartments.” Jones explained. “And Trent Bell and Chad Copeland at Bell Labs were nice enough to let me go in and use their equipment after hours. It was really made possible by the generosity of our friends and family. ”

The band is fresh off a performance at this year’s D-fest in Tulsa, where the band’s set didn’t go quite as planned. During the first song Jones broke a guitar string, then the band’s smoke machine set off the venue’s fire alarm. Because of these incidents, the venue wanted to cut the band’s set short, but the Evangelicals wouldn’t have it. They kept playing even after their power was cut. Despite all of these problems, Jones said the show turned out to be a massive success for the band.

“Sometimes the worst situations give you this punk-rock Zen that makes for the best shows,” Jones said. “You could never plan for that kind of thing, but it’s great when it happens.”

Despite living in Norman, the band isn’t sure where it fits in with the rest of the local music scene, but are still huge supporters of it.

“I don’t even feel like we are part of it, because we just don’t play that many shows here,” Davis said. “Though I really love a lot of the bands here. Bands like Student Film, Ghosts of Monkshood, and Neon Signs Like The World Is Great are some of my favorite bands, local or not.”

“I really hope a lot of the band’s here are able to do something outside of the local scene,” Jones said. “Some of the bands are definitely deserving of getting signed and things like that.”

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